10 Powerfully Simple Tools from Ray Brown
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Transform Your Solos and Walking Bass Lines with Ray's Genius
Have you been feeling that your playing could use...something extra? Some more color and life? You've learned the basics of jazz bas but you feel that you've reached a plateau and you're looking to elevate your solos and lines. Adopting these simple tools will help. We'll explore devices from Ray Brown including:
- Stick & Move
- The 16th Pull-Off
- Hitching Train Cars
- Open Triad Pursuit
- And More
Take ownership of these approachable Ray Brown techniques by taking a deep dive into his playing.
âMatt has it all...â
â'Ive been playing double bass for a bit over 40 years. Done my conservatorium studies and I strongly and highly recommend people wanting to learn to play upright to pay very close attention to Matt and his lessons. I check out all tutorials and Matt is one of the most easy to follow. To teach is a special art form. Matt has it all.â
@TIMOBARA64
âGreat stuff...â
âYours are the best jazz-bass lessons I've seen anywhere. I would strongly recommend your lessons not just to bassists, but also to pianists and guitarists who want to add jazz bass lines to their solo performances. It's also essential to anyone who wants to write jazz arrangements. Even a beginner who can't read yet could learn by listening and watching. Great stuff.â
@mbmillermo
Increase
Your Playing OptionsÂ
Unlock creative approaches to walking and soloing directly from Ray Brown's own vocabulary, curated from thousands of recordings.
EXPLORE PRICINGWhat You'll Learn
The Juke
The Power of Surprise
Kick the first soloist off with a deceptively simple approach.
Ready? Let's Go âOpen Triad Pursuit
Travel Registers With Ease
Navigate the fingerboard with Ray's fluid style.
Ready? Let's Go âHitching Train Cars
Give Internal Movement to Walking Bass Lines
Create interesting connections.
Ready? Let's Go âThe 16th Pull-Off
Ornament Your Phrase
Spice up your solo with this Ray technique.
Ready? Let's Go âRock-A-Bye Bass
Swing That Baby to Sleep
Add weight and suspension to your walking line.
Ready? Let's Go âThe Nibble
Take a Bite Out of Phrasing Crimes
Create texture where boredom might exist.
Ready? Let's Go âNavigate an Rigorously Defined Path with a Juilliard Jazz Alumus & Faculty Member
Raised in Cleveland, Ohio, Matthew Rybicki has performed with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, Ernie Watts, Laurence Hobgood, Hilary Kole, Wycliffe Gordon, Ted Rosenthal, Mark Gould, Nnenna Freelon, Renee Fleming, Terell Stafford, Winard Harper, Mark Whitfield, Victor Goines, and Marcus Printup.
He has also had the great fortune of performing at many well-respected venues in New York such as The Village Vanguard and The Blue Note, as well as concert halls and festivals in locations ranging from Italy to Qatar.
Matthew is a faculty member at The Juilliard School and a visiting artist at The University of North Carolina School of the Arts. He was an artist/instructor for Jazz at Lincoln Center where he developed and taught the inaugural bass course in the Essentially Ellington Band Director Academy. In addition, Matthew was a program coordinator for Midori and Friends and has led musical workshops at both The Whitney Museum of American Art and The Guggenheim, where he designed and presented educational performances that incorporate jazz with fine art.
He has also authored books for Hal Leonard Publications including The Hal Leonard Jazz Bass Method, Ray Brown: Legendary Jazz Bassist, and the Goldmine Series for Bass.
Matthew received his Bachelor of Music from Berklee College of Music in 1995 and graduate degree from The Juilliard School in 2004.
Learn More â
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What's Included
ON-DEMAND VIDEO
Release the Pressure & Take Your TimeÂ
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With multiple videos in each of ten modules, you'll be able to view the lessons at your pace. With 4k resolution and accompanying downloads and partner images, you'll have ample opportunity to study.
Trying to Decide?
This is for you if...
- you have prior experience playing jazz
- you are able to read conventional notation
- you have a basic understanding of jazz bass function
- you are either an upright or electric bassist
This is not for you if...
- you're looking for a course for a true novice
- you're interested in learning specifically about soloing
- you're not a fan of Ray Brown
- you're comfortable with your lines & solos
Need a Reason to Start?
Here are 3 Great Reasons
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Own Ray's Vocabulary for YourselfÂ
Enjoy exercises and explanations that allow you to imitate, assimilate, and innovate on Ray Brown's special tools.
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Find More Pleasure in Your Walking Lines and Solos
Armed with the information from the course, you can immediately apply any of these ten tools in just about any song.
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Add Vibrant Color to Your Bass Playing
Confidently add on to the information you already have to make your lines and solos even better. And, there's goodies. Lots of goodies. PDFs, transcriptions, recording excerpts with separated instruments, and play-alongs with Oscar Peterson, Gene Harris, Milt Jackson, and more. Cool bonus stuff too!
Get StartedGrab Your Bass
We're About to Get Started
There's no better time than now to get yourself closer to this masterful musician. Let's work together to add more interest and depth to your playing for the many gigs to come in your future!
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